"After Hours" approaches the notion of pure filmmaking; it's a nearly flawless example of -- itself. It lacks, as nearly as I can determine, a lesson or message, and is content to show the hero facing a series of interlocking challenges to his safety and sanity. After Hours is dazzling movie making; you could get a giddy kick just from cinematographer Michael Ballhaus' shot as a set of house keys floats down Like many of Scorsese's earlier pictures, After Hours has a fascination with the bizarre.

I saw this film for the first. After Hours movie reviews & Metacritic score: A Manhattan Yuppie's night out becomes a comic nightmare. If your review contains spoilers, please check the Spoiler box.

After Hours

Martin Scorsese's After Hours exists in a fever dream, where strange people behave in even stranger ways and an obsessive rationale inhabits every detail. In a way, After Hours stands as a comic reflection of Scorsese's Mean Streets, Taxi Driver, or even Bringing Out the Dead. Reviews on the "After hours" are quite different, but here it is: once in a couple of years we see a After Hours, originally a Columbia thesis script by Joseph Minion tells the story of Paul Hackett's crazy adventure in Soho. A friend described After Hours as a movie he always saw the cover for at the. After Hours won him the Best Director award at Cannes, and it's easy to see why, as it appeals to the complex and sophisticated sensibilities of European Nice to see this little known movie thoughtfully reviewed, especially by the 'orrible Mr Honeybone. Though it's not strictly a horror movie, After.

After Hours (1985) Technical information:

  • Original title: 1985
  • Duration: 97 min.
  • Rating: 7.4/728
  • Quality Streaming 4K ULTRA HD | FULL HD (1080p) | 720p | SD

Trailer After Hours

After Hours

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I guess you could call After Hours dated; I prefer to enjoy it for its documentary qualities of New York in this era. A wickedly funny black comedy that follows the increasingly bizarre series of events that befall hapless word-processer Griffin Scorsese is in total command of his visual style in AFTER HOURS, a tightly constructed film that races from scene to scene. Read the Empire Movie review of After Hours.

Martin Scorsese’s take on NYC puts a hip spin on Joe Minion’s cleverly constructed. There is something liberated in the caffeinated hyperkinetic style he lends the movie, as if the grand moral poems he had become acclaimed for were a heavy burden. After is a good movie (TLDR AT BOTTOM) (To long didn't read). After Hours marks the moment in cinematic history, and Scorsese's personal movie journey, in which the director bids farewell to his younger self.